Cinema of the Forbidden Family
The single most consistently censored subject in cinema history. European art-house treated it as philosophy. Japan explored it through a non-Judeo-Christian lens. America condemned it publicly while profiting commercially. Connects Greek tragedy through De Sade through 1970s exploitation through modern psychological horror.
How different cultures handled the same forbidden subject reveals more about censorship, morality, and power than any other topic in cinema.

Young Lucrezia
1974
Luciano Ercoli
Italian. Borgia family. Historical incest as exploitation spectacle.

Scandalo in famiglia
1976
Unknown
Italian. Title translates to 'Family Scandal.' Direct in its subject.

Sexy Sisters
1977
Jess Franco
Franco's take on sibling desire. Part of his massive exploitation output.

Con la zia non è peccato
1980
Giuseppe Pulieri
Italian. Beautiful aunt comforts teen. Sicilian setting.

Caligula and Messalina
1981
Bruno Mattei
Italian. Seductive Messalina stops at nothing for Roman power.



























































































































































































































































